
During the early 1950s Hazel would appear in an assortment of movies for various film companies including The Rank Organisation. Amongst those films were The Ghost Ship (1952) & Devil Girl From Mars (1954), but her major starring role came when Hammer Films, who then specialised in low budget thrillers & science fiction adaptations from radio & TV gave Hazel the role of Elizabeth in The Curse of Frankenstein in 1957, in which she teamed up with the then to become Horror film legends – Peter Cushing & Christopher Lee. The film went on to worldwide success, breaking box office records around the world, Hazel would soon find herself with offers for all manner of film & TV work.
Her next work for Hammer was the 1959 film The Man Who Could Cheat Death, in which she would again work with Christopher Lee & electrifying German actor Anton Diffring. In 1962 she would start work on what would be 3 very different films for director American director Roger Corman, the first being Premature Burial in which she co-starred with actor Ray Milland. Her next Corman film was The Raven with Boris Karloff, but undoubtedly her best film of that era was the superb Corman made The Masque of Red Death in 1964 with Vincent Price. Hazel re-married in 1964 to actor/director Don Taylor with whom she had 1 child. Hazel continued to work in film & television in the USA up until 1981. Hazel then settled for a life of painting, for which she had a real passion. She would also be a regular at some of the organised Horror conventions, including Hammer. Her autobiography Hazel Court – Horror Queen, An Autobiography was published by Tomahawk Press in 2007.
No comments:
Post a Comment